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Arabella’s speech is reflective of Coel’s overall storytelling, which cuts through the harshly tread realities of these statistics to the heart of the issue: rape culture. This is a commonly acknowledged statistic that does little to contextualize how real the experience is for survivors. The show isn’t about justice - the viewer is never made to be concerned with the crime as much as with Arabella’s shifting truths - but repeated confrontations with trauma and the ways the world enables the creation of new survivors every day.Īccording to the National Sexual Violence Resource Center (NSVRC), one in five women and one in six men are victims of sexual assault. From the first episode in its freshman season, Coel weaves a maddening descent through delirium, exploring a writer’s sexual assault and her journey to define recovery for herself.
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We couldn’t pinpoint exactly what it was he did that we felt was so wrong.”Ĭoel’s ironically comedic drama doesn’t deliver a single moment of fear, only the thick film of anxiety. “He’s gone exploring to see for himself what boundaries and violations these women might be banging on about because ‘Bob’s’ thorough… ‘Bob’ found the line that separated him from everything else,” she says, chillingly describing the tenuous gray areas and power manipulations that make violence possible, or even excusable: “Rather than crossing it, he tiptoed on it. But what she has to say isn’t heartfelt or healing, but rather a definitive declaration of war against “Bob,” who stands in those who have socialized a deceptive kind of violence. In the eighth episode of I May Destroy You, the harrowing BBC drama brought stateside by HBO Max, the series’s star character, Arabella, played by showrunner Michaela Coel, finds herself looking to the camera, her head wrapped in a colorful scarf, and speaking to a support group for survivors of sexual assault. Warning: This story contains descriptions of traumatic events, including sexual assault, which some readers might find upsetting.